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Veröffentlicht von:Karola Weiner Geändert vor über 7 Jahren
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Comprehensive Feature Theories CS 275B/Music 254
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Work of Anja Volk (Utrecht Univ.) inner metric structure [outer metric structure = meter] Schumann Waltz Op. 124, N. 15, mm. 1-4 Spectral Weights (in association with metric weights) CS 275B/Music 254 2016 Eleanor Selfridge-Field 2
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Overview CS 275B/Music 2542016 Eleanor Selfridge-Field3 Hypermeter is key to genre identification Anja Volk Partimento [compositional] theory Robert Gjerdingen Giorgio Sanguinetti
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2016 Eleanor Selfridge-Field4 Volk’s Inner metric structure CS 275B/Music 254
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Inner vs outer metric sturcture CS 275B/Music 2542016 Eleanor Selfridge-Field5
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Work of Anja Volk (Utrecht Univ.) inner metric structure [outer metric structure = meter] Spectral weights start period length Spectral weights CS 275B/Music 2542016 Eleanor Selfridge-Field6
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CS 275B/Music 2542016 Eleanor Selfridge-Field7
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Inner metric structure -Ausgangspunkt ist midi-Repräsentation d.Stückes, am Ende erhält man für jede Note ein metrisches Gewicht, dass die metr. Bedeutung dieses Tones kodieren soll [Start with MIDI representation] - metr. Analyse berücksichtigt nun lediglich die Einsatzzeiten der Töne, vergißt Tonhöhe und Dauern -sucht nach Regularitäten in den EZ, indem nach wiederholenden Einsatzzeitenabständen gesucht wird [Identify pitch and duration of each one.] -d.h. ermittelt werden die sog. Lokalen Metren, dies sind Raster oder Kämme von Tönen im gleichen Einsatzzeitenabstand [Identify local meter] -metr. Gewicht einer EZ berechnet sich als gewichtete Summe aus allen lokalen Metren, an denen sie beteiligt ist (man „mißt“ die Regularitäten) [consolidate local-meter values] -höchstes metr. Gewicht auf G entspricht nicht unserer Erwartung; -Frage: was kann man denn erwarten von diesem Ansatz? [Determine likely movement type] CS 275B/Music 2542016 Eleanor Selfridge-Field8
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Partimenti: Harmony as foundation of improvisation 2016 Eleanor Selfridge-Field9 18 th Neapolitan practice of composition Sanguinetti (2012): The Part of Partimento Robert Gjerdingen (2010): http://faculty- web.at.northwestern.edu/music/gjerdingen/partimenti/collections/Durante/diminuiti/index.htm http://faculty- web.at.northwestern.edu/music/gjerdingen/partimenti/collections/Durante/diminuiti/index.htm CS 275B/Music 254
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Gjerdingen website 2016 Eleanor Selfridge-Field10CS 275B/Music 254 Northwestern University http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/
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Sanguinetti: Overview 2016 Eleanor Selfridge-Field11 The Rule of the Octave Suspensions Elaborations of the Rule of the Octave Relationships to compositional genres How to create your own partimenti CS 275B/Music 254 The Art of Partimento (OUP, 2012)
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Sanguinetti, 2 2016 Eleanor Selfridge-Field12 The Rule of the Octave How to harmonize an octave Ascending/descending Major/minor Suspensions Elaborations of the Rule of the Octave Relationships to compositional genres How to create your own partimenti CS 275B/Music 254
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Sanguinetti, 3 2016 Eleanor Selfridge-Field13 The Rule of the Octave How to harmonize an octave Ascending/descending Major/minor Suspensions In the soprano: by the 4 th, by the 7 th, by the 9 th In the bass: by the 2nd Elaborations of the Rule of the Octave Relationships to compositional genres How to create your own partimenti CS 275B/Music 254
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Sanguinetti, 4 2016 Eleanor Selfridge-Field14 The Rule of the Octave How to harmonize an octave Ascending/descending Major/minor Suspensions In the soprano: by the 4 th, by the 7 th, by the 9 th In the bass: by the 2nd Elaborations of the Rule of the Octave Interpolations in the bass line Variations, diminutions in any part Motives, subjects et al. Relationships to compositional genres How to create your own partimenti CS 275B/Music 254
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Examples: Ascending, descending scales 2016 Eleanor Selfridge-Field15 Octave, ascending, 3 positions Ascending, minor, 1 st position Descending, minor, 1 st position CS 275B/Music 254
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Examples: Suspensions 2016 Eleanor Selfridge-Field16 Fourth suspensions Seventh suspensions Ninth suspensions Mutated bass “Major,” “minor” fourths CS 275B/Music 254
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Examples: Rhythmic variation 2016 Eleanor Selfridge-Field17 Limping suspensions Rhythmic enrichment CS 275B/Music 254
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Examples: Patterned basses 2016 Eleanor Selfridge-Field18 Sequential bass Patterns based elaboration Rising by 3rds, falling by step Falling by 4ths, rising by step CS 275B/Music 254
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