Präsentation herunterladen
Die Präsentation wird geladen. Bitte warten
Veröffentlicht von:Ralph Kaiser Geändert vor über 8 Jahren
1
Suburbanization Fernsehen Anti-Trust Klage, Auflösung der vertikalen Integration HUAC Runaway Productions Independent Producers Farbe, Widescreen
2
Kalter Krieg Atomare Aufrüstung Korea Krieg 1950-53 China wird 1949 kommunistisch Isolationismus, Familie
3
Rückkehr zum Central Producer System Dore Schary 1948 Chief of Production, 51-56 Präsident 1951 Louis B. Mayer geht in Pension 25% Musicals (Arthur Freed)
4
Cinemascope: The Robe 1953 Kontroverse Themen: Antisemitismus: Gentlemen‘s Agreement (1947) Rassismus: Pinky (1949) Location Shooting Marilyn Monroe
5
Vertrieb von Produktionen von Hitchcock, Cagney, Lancaster First major studio to invest in 3D (House of Wax) Doris Day
6
Howard Hughes kauft 1948 RKO 1947: 28 Films 1952: 10 Filme Trennung in Produktion und Verleih Einstellung der Produktion 1957
7
Winchester 73 (1950) James Stewart MCA Lew Wasserman 50% des Gewinns Stewart verdiente $600.000 mit einem Film, der Universal $917.374 kostete
8
produziert auch TV Shows 1954 bezieht MCA 54% seiner Einnahmen aus TV Shows (Alfred Hitchcock Presents) 1958 kauft MCA Universal
9
Monogram und Republic Republic: John Ford Westerns: Fort Apache 1948, Rio Grande 1950 Johnny Guitar 1954 Monogram wird 1953 Allied Artists Nachfrage für B-Western im Kino geht zurück (TV)
10
Samuel Z. Arkhoff gegründet 54, umbenannt in AIP 56 Extremely low-budget, double-bills Teenage Audience Roger Corman
11
Package Unit System 1945: 40 Independent Companies 1947: 100 (inkl. Majors) Samuel Goldwyn, David O. Selznick, Walter Wanger etc.
12
Gründe: Share of the profit Income taxes Guide one's own career Studios bauen Overhead-Kosten ab Finanzierung, Marketing, Vertrieb Kreativer Einfluss nimmt ab
13
Streik 1941 Natur-Dokus Spielfilme: Treasure Island (1950), Story of Robin Hood (1952) Eigene Vertriebsfirma Buena Vista 1953 gegründet
14
Für Fox: I Was a Male War Bride 1949 Monkey Business 1952 Gentlemen Prefer Blondes 1953 Independent: The Thing 1951 (produced by Hawks, directed by Nyby) Big Sky 1951 Land of the Pharaohs 1955
15
Für UA: Apache 1954 Vera Cruz 1954 Marty 1955 Sweet Smell of Success 1957 Elmer Gentry 1960
16
„entrepreneurial mode of film making“ Regisseure, Animateure und Stars werden Produzenten 1949: 20% der von den 8 Major Studios veröffentlichten Filme sind unabhängig produziert 1957: 58% Oscar winner best picture 1954 -1957 independent productions: On the Waterfront Marty Around the World in 80 Days The Bridge on the River Kwai 1958: Gigi: Arthur Freed (independent producer)
17
Kinsey Reports 1948 und 1953 The Moon Is Blue 1953 Otto Preminger Einer der ersten Filme die ohne PCA-Siegel gezeigt wurden 1956: Revision des Codes: abortion, childbirth, drug addiction Können nun gezeigt werden (mit Einschränkungen) Some Like it Hot (1959) Anatomy of a Murder (1950)
18
Farbe Technicolor Corp. Eastman Color Farbfilme: leichter Rückgang zwischen 1955 und 58, Anstieg ab 59 ▪ Fox dreht ab 53 (fast) alle Filme in Farbe und Cinemascope S/W: From Here to Eternity (1953), On the Waterfront (1954), Marty (1955)
21
3D House of Wax (1953) WB Kiss Me Kate (1953) Dial M for Murder (1954) Cinerama three cameras, three projectors, panoramic image, large, curved screen This is Cinerama (1952) How the West Was Won (1962) It's a Mad, Mad, Mad, Mad World (1963)
22
Cinemascope Aspect ratio, Bildformat
24
Broadcasting TV Theater TV Subscription TV Hollywood produziert TV Programm: Serien, Werbung, Nachrichten Kauf von TV Stationen und Networks
25
Fernsehformate zur Bewerbung von Film: Disneyland Warner Bros. Presents Twentieth Century-Fox Hour Ende 1959: “78 % of network evening programming originated in Hollywood” “Over 85 % of that were filmed”
26
1954: Disneyland ABC Disney's Wonderful World of Color ABC investiert in Disneyland Disneyland TV-Serie Mickey Mouse Club Eigener Vertrieb: Buena Vista Distribution
27
billigere Arbeitskräfte Interessante Location Wetter 1950: 429 Filme insgesamt 1955: 305 1953: 34 Filme made abroad unemployment in Hollywood Italien, Frankreich, Ägypten, Afrika, Hong Kong Quo Vadis, To Catch a Thief, UK und viele westeuropäische Länder fördern US-Filmproduktion im eigenen Land
28
Zuschauerrückgang wg. TV trifft Kinobesitzer am schwersten weniger Filme, Majors bestimmen die Verleihbedingungen first run theaters in big city downtowns second run in urban neighborhoods Viele Kinos am falschen Ort Arthouse Cinemas
29
1957: 72 % unter 30 1. road show attraction “visual spectaculars, epics, broadway adaptations, twice daily, advance booking” 2. first run/second run audience well educated, controversial topics 3. big city and university town art movies frank and adult sexual content art cinemas often played American films as well 4. working class, small town, teenage spectators drive in western and comedies, horror, SF, teen films
30
Musicals MGM integrated musicals Arthur Freed Unit: Cedric Gibbons, André Previn, Vincente Minelli Gene Kelly, Fred Astaire An American in Paris 1951 Singin‘ In the Rain 1952 The Band Wagon 1953
31
„Stories of corruption, betrayal and violence“ Dark visuals deep shadows undiffused use of light unusual camera angles prison like bars Asphalt Jungle 1950 John Huston In A Lonely Place Nicholas Ray 1950 The Big Heat 1953 Kiss Me Deadly Aldrich 1955
32
Neue Welle von WK II Filmen From Here to Eternity 1951 „Prostitution, homosexuality, veneral desease, affair between an enlisted man an officer's wife, brutality in peacetime in the army“ Dan Taradash, Buddy Adler, Harry Cohn, Fred Zinnemann Burt Lancaster, Montgomery Clift, Frank Sinatra Department of Defense (DOD) Office Supervising Film Industry
33
1948-54: 35-40 antikommunistische Filme I Married a Communist 1950 Pickup on South Street 1953 Strangers on a Train 1951
34
„ Superwesterns” „western that would be ashamed to be just itself, and looks for additional interests to justify its existence – an aesthetic, sociological, moral, psychological, political, or erotic interest, in short some quality extrinsic to the genre and which is supposed to enrich it.“ (Bazin)
35
Political: High Noon (1952) Sociological: Shane (1953) Psychological: Winchester 73 (1950) Formal: The Far Country (1955)
36
A type of film "that depicted a virtuous individual (usually a woman) or couple (usually lovers) victimized by repressive and inequitable social circumstances, particularly those involving marriage, occupation, and the nuclear family" (Schatz, 235) Familie Sexualität Douglas Sirk Vincente Minelli
37
The Day the Earth Stood Still Ängste der 1950er Jahre Kommunismus, Atombombe
38
On the Waterfront 1954 Marty 1955 Blackboard Jungle 1955 12 Angry Men 1957 Shadows 1959 Mix of Italian neo-realism and method acting Working class
39
Blackboard Jungle Juvenile delinquency Rock film Horror film (I was a teenage...) Clean teen (Pat Boone) Juvenile delinquency Kefauver Committee 53-55 Rock around the clock Bill Haley Best selling single 29 weeks Jailhouse Rock 1957
40
Blackboard Jungle Juvenile delinquency Rock film Horror film (I was a teenage...) Clean teen (Pat Boone) Juvenile delinquency Kefauver Committee 53-55 Rock around the clock Bill Haley Best selling single 29 weeks Jailhouse Rock 1957
41
Atomgefahr The Thing, The Day the Earth Stood Still, Forbidden Planet Kommunismus Sexualität USA-Europa, Entertainment – Kunst Teenager
Ähnliche Präsentationen
© 2024 SlidePlayer.org Inc.
All rights reserved.